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I just really feel sorry for you that you feel the comic is "stale and boring"
Yes. But there's no reason to "feel sorry for me."
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and that the Donner version is the one and only way to do Superman.
Never said that. What I DID say is that I prefer the "Donnerverse" version to almost all of the Superman stories that have existed since the first Crisis.
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Superman: The Animated Series is far and away the best interpretation of the character
I couldn't agree more.
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and it is not a continuation of the film series by any stretch of the imagination.
And I didn't come close to even hinting at such a bizarre idea.
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It is based around storylines from the comics as well as the modern day incarnation of the character.
And...? The cartoon is all over the place...it has characters that storyline that harken back before Crisis, after Crisis, and then plenty of things they made up on their own or totally "tweeked" to make different for the cartoon series. It's its own Superman entity and is nowhere near beholden to the "modern" Superman in comics...hence why I enjoy it so much.
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I wish that SR had borrowed from S:TAS just a little; it might have been better. And as for Smallville, yes it has some elements of the Donner movie (ie: the Fortress) but it is its own thing.
Exactly. That's why I prefer it to the comic version of Superman. I have no clue why you think I said everything has to be tied into the Donner version.
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It takes the character and runs with it in a very unique and original way. I like it for that reason among many others. It even gets the spirit of Lex's character right!
![smile.gif](http://www.chefelf.com/forums/public/style_emoticons/default/smile.gif)
Something that Singer failed to do.
Well, that's where you and I and a lot of others disagree. I know a lot of people love "evil yuppie" Lex...personally, I can't stand him. Give me rich, evil scientist Lex any day. Give me the Lex from Grant Morrison's recent
All Star Superman any day. The only time I thought "yuppie Lex" worked was with Brian Azzarello's
Lex Luthor: Man of Steel series.
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It is quite obvious that you do not currently read, nor have you read any of the Superman titles for awhile.
Not true. Working in a book store, I read almost all of the Superman trades that come in.
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Otherwise you would know of the gold mine of ideas, storylines, villians and concepts that are there for adaptation.
There have been...in Elseworld stories and limited series. I think he's a drag in ongoing series...especially multiple ongoing series where he's the star. Superman neeeds 1 solo series, tops, and he has, what, 3? 4? I've loved when he shows up in the JLA series, the verious crossovers, Busiek's
Secret Identity, Mark Millar's
Red Son, Jeph Loeb's
Superman For All Seasons....good, good stuff.
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Superman is by no means stale and boring, or a zombie.
Not even Greg Rucka or Brian Azzarello could make him interesting on a monthly basis. That's scary.
I have a feeling that you lean more toward Marvel than DC.
Well, more Vertigo over either, but I'm reading more DC titles than Marvel at this point.
If that is the case, then I understand why you don't appreciate Superman in the comics, as DC and Marvel have characters that are almost completely different in the way they are portrayed.
Well, I completely disagree on that last point, but that's best saved for another day. I think Superman is a very effective "icon" character in the DC Universe...I love Elseworld takes on him, I love most of the limited series...I just think he stutters and falls as an ongoing character. He's too flat and too powerful and too boring, to be blunt. I would love it if he just showed up in other people's titles, the crossovers, the team books and then only had 1 or 2 limited series each year. I think it would make him a much more effective character. I know this is a radical idea and will never happen, but that's my viewpoint on comic Superman.
Bottom line is this: WB has 'allegedly' stated that they will not do a sequel if SR does not reach $200 million domestic. SR is, financially for WB, a bomb. It cost $260 million to make; it cost another $50 - $100 million to do promo for the film; it has only grossed $167 million or so domestically; that means WB is still nearly $200 million in the hole. International does not come in to the total because that is going to cost them even more to promote it oversees and to ship the film. And DVD will not count because you have to take into account the amount WB will spend to press, ship, and do promo for the DVD when it is released. Even if SR makes the $200 million domestic box office mark, which it won't, WB is still losing a LOT of money on this ONE film. I'm sorry if this is disappointing or hard to swallow. And yes, SR has met with some critical acclaim, but I think the box office shows it has not connected with most of the general populace.
There's going to be a sequel.
Patience.
I also find it interesting that most SR fans thought that Pirates wouldn't be a problem before it was released and that SR would do well regardless. Now that Pirates is destroying the box office, all of a sudden it is the reason for SR's lackluster performance. You cannot have it both ways.
Who is "you?" You're talking about "SR fans" like they're some kind of club. I didn't sit around analyzing the financial prospects for either film...I went and saw them. The end.
As far as release date, SR was billed as a blockbuster from the start. It was released on July 4th weekend, historically a HUGE opening weekend for film and WB banked on that. Only one blockbuster a year is released on that date. It had five days to crack $100 million and it still failed to do that. It was tanking long before Pirates came along. You don't release a blockbuster in winter, generally speaking. You release in the summer because there is more potential for repeat viewings with kids out of school or college, and parents are more willing to get them out of the house.
I still think they'll have a sequel. It's a valuable character and they need to strike while the funnybook film iron is hot. SR is not "unfixable." If I end up wrong, meh, life goes on. If you're wrong, hey, who cares?
It won't reach $200 million, and I can only hope there will be no sequel.
It's just a movie.
Even if there is, I sure won't go to see it. As far as how long to wait to do a real relaunch, not another 20 years, that's just sarcastic and smarmy.
Actually, it's not. There's no reason to think that they'll rebound so quickly with a TOTAL relaunch. The only time that happened was with Batman after the MASSIVE negative response to
Batman & Robin, which you simply are not having here. People aren't going nuts over it, but they're nowhere near hating it, and it's not totally tanking like B&R. It's easily fixable, and I think that's how WB will proceed. I'd be shocked if they didn't invest less money next time and tighten up creative control, but I do think we will see a sequel to SR within the next 3 years.
Give it 5 or so just to make sure this one is forgotten; recast, get a new creative team on it, keep Singer away, and do the restart that we should have been given in the first place.
Or they keep what they have, do it for a little less money and try to push it over the top by tweeking the whole shebang as opposed to blowing it up and having to invest a ton of money equal or greater to SR with a totally unrpoven cast and crew and relaunch idea. That would seem a lot more reasonable if SR hit the ground like B&R, but it didn't, not even close.
But like I said, whichever of us ends up right, who cares? It's a movie about a guy in a cape.
This post has been edited by MyPantsAreOnFire: 19 July 2006 - 10:33 AM